TV Bites: Escape from New York

THE SNACK:
Isaac Hayes' "Gonna Get Some" Cornish Game Hens w/Wild Rice Stuffing



Had a rough week last week. Caught a respiratory infection from breathing too much smoke and ash in the air from the wildfires, combined with a bad allergy attack, that pretty much turned into a bronchitis. I was down for like five days. But then had to get better because it was ACLfest last weekend here in Austin. I only caught a couple of acts - Manu Chao (at an after show), Black Dub, Stevie Wonder, and Randy Newman (at a separate ACL taping). But that's all I really needed to see.

Now yesterday was the first day of this year's Fantastic Fest, so I thought it appropriate to feature one of my favorite genre films of all time. It's also part two of the September New York double bill. And boy do I love this movie. John Carpenter has sadly been relegated, I think, to being lionized by only genre film fans. And his films - statements about the times he lived in disguised as genre films - as far as I'm concerned, should be studied more seriously.

While this film was made in 1980, Carpenter first wrote the script in 1974, right after Scorsese made Mean Streets. (If I were going to make this a triple bill, the 3rd movie would be The Warriors, for sure.) So yeah, New York was a tough place in the late 70's and early 80's. A park like Union Square - which today is filled at night with people walking their dogs and playing chess - was considered utterly unsafe to enter once darkness came. That Carpenter - and audiences at that time - could believe New York City could shut down and be re-purposed as a maximum security prison - was not so much science fiction. In one interview as it was being released, when Carpenter explains that New York has been turned into such a prison in the film's future-present, the British fanzine reporter quips: "Isn't it one already?" I got to see some crazy s#!t when I was growing up, I tell you. But more on this later....

TV Bites: Paris, Texas

THE SNACK:
Chile avec Fromage (Chile con Queso)



A shorter version of this post was originally published on the Criterion Collection website.

In April, a new arthouse theater opened here in Austin, the Violet Crown Cinema. (Our city has several pet names and one of them is the “City of the Violet Crown.” Why it’s called that has been completely lost to history.) Local film director and cinephile Richard Linklater pick eight films from the Criterion Collection as a test run of their facility (and as a benefit for the Austin Film Society). Of the films he chose, the one I was most attracted to seeing was Paris, Texas. First, I couldn’t remember the last time I saw the film but always remembered how much I liked it; and second, I needed to pick something for my post here and was hoping to be inspired by something in the film. And I was.

TV Bites: Cool Hand Luke

THE SNACK:
Huevos Diablo al Newman (Deviled Eggs, Paul Newman Style)



Since I'm not (yet) teaching classes every week, I'm going to toss up here the occasional featurette for film & food lovers. TCM is running Cool Hand Luke this week (8/21 - 10:15 EST, 9:15 CST, 7:15 PST) as part of a Paul Newman night. And if you don't catch it then -- and especially if you've never seen it -- run, don't walk to your nearest video rental store. If you have a Netflix account, you can stream the movie instantly here or rent on Amazon on Demand here.