The Class: Chinatown

THE MENU:
Shrimp & Watercress Steamed Wontons w/Orange-Soy Dipping Sauce
Chinese Seaweed & Pork Soup
Soy, Honey & Coriander Grilled Tuna w/Jasmine Rice
Orange-Ginger Chinese Broccoli
Chinese Toffee Apples w/Ice Cream



Well, I'm back from Montreal and having a great time with my 4-month old kitten, Miles. And this is part one of a Chinese dim sum double bill.

When I was living in Los Angeles - over 15 years ago now - almost any wannabe or successful screenwriter (and more significantly any screenwriting teacher) would say without hesitation that Chinatown was the perfect screenplay. In fact, the Writers Guild of America named it the third greatest screenplay ever in a survey in 2005 of its members. (And two of those top three - Chinatown and The Godfather were produced by Robert Evans And, just to keep it all connected, Chinatown scribe Robert Towne also did some polishing on the script of The Godfather.) Even today, almost 35 years since its release, Chinatown is still considered to be one of the great screenplays ever.

But what usually isn't mentioned in these praises is that the screenplay went through a very difficult birth process. Even though Towne gets full credit as the author of the script, director Roman Polanski's incredible input is rarely considered by writers and their teachers. Yes, it suits our writers' egos (which is the butt of many jokes - "How many screenwriters does it take to screw in a light bulb?" Answer: "Why does it 'have' to be changed?"), but I wish they'd teach this to writers on the first day of school. That's just the way it is, kids. Hopefully I'll not mangle this quote too much (because it was in one of several Charlie Rose interviews he did and I'm not going to listen to all of them to find it), but I once heard writer Richard Price describe what being a Hollywood screenwriter is like: "Screenwriting is like the Pony Express and the screenwriter is the horse. If the horse goes lame, you shoot it and get another one. Because the idea is to get the thing out to Los Angeles." Even Towne himself, who has script doctored many others' work, has said, "'Doctoring' is kind of misleading because all scripts are rewritten. Every script has to be rewritten;, it's just a question of whether or not it's going to be rewritten well."

The Class: The Harder They Come

THE CLASS:
Hot Pepper Shrimp
Jerk Chicken
Baked Yams with Sweet Onions & Ginger
Caribbean Cole Slaw
Gizzada (Spiced Sweet Coconut Tart)



When I was a teenager, there was this weird little theater in the quiet suburb of Uniondale, New York called the Uniondale Mini-Cinema. Before the "midnight movie" craze hit the mainstream, this was one of those first experiments in letting young people, especially young people who were influenced by what was then known as "the counter-culture," and certainly those who had a love and reverence for movies, be allowed to program an actual movie theater.

Now remember this was before there were videotapes, or even cable TV. This was the only place where you could stay up all night and watch Marx Brothers movies, the new "concert" films like Woodstock or Jimi Plays Berkeley, and was a home for "outsider" filmmakers such as Robert Downey Sr. and John Waters. Later, after I had gone to seek my fortunes on the West Coast, it was one of the first theaters to do the whole Rocky Horror Picture Show thing. But it was also one of the first theaters to run The Harder They Come.