TV Bites: Elevator to the Gallows (Ascenseur pour l’échafaud)

THE SNACK:
Miles Davis' South Side Chicago Chili Mack


A version of this post can be found at The Criterion Collection website
Finally we arrive at the long-delayed (also procastinated) second half of the Paris, France double bill. And what a treat it is. With this movie, you get two wonderful things at the same time. First, the movie itself, but also you have one of the most wonderful soundtracks ever created for a film. Miles Davis (no relation to my new kitten) was intrigued to make an improvised recording for the film's soundtrack, but the outcome of that experiment would change not just his musical direction and influence the direction of jazz music in general. (More about this in the Background & Context section.)

And independent of the soundtrack, Elevator to the Gallows changed the cinema landscape, as well. The brilliant cinematography, the editing, the low budget simplicity of it.... The film was released merely moments before the first wave of the French New Wave films came out (though there is a lot of debate as to whether Malle was a member of this group, an honorary member, or not one at all). If Malle is not a card-carrying member of the New Wave (and he himself will argue that he isn't), he nevertheless set the stage for it and busted the doors open so that Truffaut and Goddard could saunter through. Malle's film is the bridge between the French films of the 1950's (Robert Bresson, Jean-Pierre Melville, and others) and the New Wave.

Otherwise, I hope the new year is doing you well. I just sent the Chef du Cinema book proposal out to an agent. Let's hope for the best. I'll be back shortly with the second half of the "good/bad" double bill.

TV Bites: The Good, The Bad & The Ugly (Il buono, il brutto, il cattivo)

THE SNACK:
Pozole Verde w/Pork


Okay, enough holiday - back to work. Hope you had a happy one and, like myself, looking forward to a good new year. And don't forget to include signing up for one my classes in the new year as one of your new year's resolutions.

So we're gonna start a "good/bad" double bill now, which will have the long-delayed part deux of the French double bill in between. Now you may ask, "Ron, you've done the first part of the 'Dollars Trilogy,' why are you skipping to the third? What's wrong with For A Few Dollars More?" Well, nothing's wrong with it. In fact, I'll say it's my favorite of the trio, but... I just wanted to do this double bill and I promise we'll get to it soon enough. Plus, pozole makes for a nice winter meal.

The Class: Raiders of the Lost Ark

THE MENU:
(Nepalese) Shrimp Curry
(Peruvian) Warm Wheat Berry, Quinoa, & Mango Salad
(North African) Lamb Stew w/ Cauliflower "Couscous"
(American) Strawberry Shortcake



First off, this is part one of my "of the" double bill. And by that I mean the next film is also titled "Something of the Something." So try to guess what that'll be.

Class went extremely well, though we were a bit rushed. I had a lot of food and movie to discuss before serving and eating. But everyone seemed quite pleased. Also, always glad to see how many return attendees I had. We even had one person who hadn't seen Raiders of the Lost Ark before. It's always a treat for me to see a movie with someone who's never seen it before.

You know when I began this adventure I was just sort of randomly picking movies I love and seeing what I could do food-wise with them. But I also avoided some movies I love mostly because I wanted to get this all figured out before I tackled them, and also because they tend to have an abundance of material written about them already (and that means hours and hours of research!) While some films don't have much written about them at all - either in print or online - others have enough material to fill a skyscraper with... like this one. But that doesn't mean Raiders of the Lost Ark is a "better" or more "important" movie than say The Lady Vanishes, for example. I just want to make that clear. The Lady Vanishes was made at a time when entertainment was not as dissected nor studied even in universities the way it is now.

The Class: Singin' in the Rain

THE MEAL:
Parma Ham, Apricot Preserves and Dijon Mustard Finger Sandwiches
Tossed Green Salad w/ Donald O'Connor's French Dressing
Gene Kelly's Real Irish Lamb Stew
The Hollywood Brown Derby Grapefruit Cake



Well, it's still winter, I suppose, though we didn't get anything close to winter weather here in OSP (oh, so precious) Austin. But there's a little chill in the air, having given us a tease of rain last night, and the sky is currently all cloudy and gray. I mention this because I'm going to be nursing leftovers of Mr. Kelly's lamb stew this afternoon as I snuggle up to work on the next Chef du Cinema blog post (I'm always working for you, friends).

Class went very well again tonight. Good audience, good crew. No complaints.

Singin' in the Rain is one of those movies that just fills you with that feeling you can only get from the movies. Just pure cinematic joy. Seriously, if you are depressed and your meds aren't doing it, just watch Donald O'Connor's Make 'em Laugh sequence, and I promise you that dark mood will be gone by the time he finishes flying through the wall.

TV Bites: A Hard Day's Night

THE SNACK
Scouse (Beef & Lamb Stew) w/ Sir Paul McCartney's Mashed Potatoes



Earlier last year, the Vatican decided to "forgive" the Beatles with this odd pronouncement written in the L'Osservatore Romano, the official Pope newsletter: "It's true they took drugs, lived life to excess because of their success, even said they were bigger than Jesus and put out mysterious messages that were possibly even Satanic, [but] what would pop music have been like without the Beatles?"