Monday, January 7, 2013

TV Bites: The Good, The Bad & The Ugly (Il buono, il brutto, il cattivo)

THE SNACK:
Pozole Verde w/Pork


Okay, enough holiday - back to work. Hope you had a happy one and, like myself, looking forward to a good new year. And don't forget to include signing up for one my classes in the new year as one of your new year's resolutions.

So we're gonna start a "good/bad" double bill now, which will have the long-delayed part deux of the French double bill in between. Now you may ask, "Ron, you've done the first part of the 'Dollars Trilogy,' why are you skipping to the third? What's wrong with For A Few Dollars More?" Well, nothing's wrong with it. In fact, I'll say it's my favorite of the trio, but... I just wanted to do this double bill and I promise we'll get to it soon enough. Plus, pozole makes for a nice winter meal.

Friday, December 28, 2012

New Class Tickets Now Available: Once - February 23

Time: Saturday February 23, 2013 · 6:30pm - 9:30pm
Location: Central Market North, 4001 North Lamar, Austin, TX
CLICK HERE TO RESERVE

For my 17th Chef du Cinema class, I will be presenting a 4-course “Irish meet Czech” meal paired with the Oscar winning musical-romance Once. Singer/songwriter Glen Hansard plays a street musician in Dublin who meets a young Czech immigrant flower peddler (Markéta Irglová), who is also a talented musician. As their musical and emotional sensibilities converge, as one critic noted, Once “reinvents what a movie musical can be.”

The Menu:
Potato & Scallion Soup
Šopský salát (Tomato-Cucumber Salad)
Beef & Guinness Guláš (Goulash) w/Buttered Noodles
Ovocné Knedliky (Czech Fruit Dumplings) w/Irish Whiskey Butter Sauce

Friday, December 14, 2012

Another Great Review @ Slackerwood

I just got a very nice review from Kaliska Ross of the Austin Film Society at their online magazine Slackerwood of the Amélie class. Thanks!

A Delicious Evening With 'Amelie' and Chef du Cinema

By Kaliska Ross, December 14, 2012


Walking into the Central Market Cooking School for a Chef du Cinema class felt like walking into a French café. Well, sort of. There was wine and French bistro music was playing. I guess the similarities end there.

Unlike a French café, the cooking class had bright lights, a televised demonstration table, and an effervescent instructor who was very personable and greeted us when we walked in. You certainly won't find that in a French café. He made small talk while the participants trickled in. I took that time to look over the menu. Tonight we'd be making Artichoke and Tomato Tartlets, Warm French Green Lentil Salad, French Style Roast Chicken with Potatoes, Endives au Gratin, and Maple-Pumpkin Crème Brûlée. Naturally, I was starting to get excited.

Next came a brief introduction of the chef, Ron Deutsch, and his assistants. He then went on to explain the dishes being prepared and how they related to the evening's movie, Amélie. The appetizer (Tartelette d'artichauts et tomates) appeared on the menu because a line in the movie is "At least you'll never be a vegetable -- even artichokes have hearts." The dish was a puff pastry topped with artichoke hearts, sun-dried cherry tomatoes, shallots and melted Gruyère. Let me tell you, those little pastries were good!

Read the rest of the article here......

Saturday, December 1, 2012

The Class: Amélie

THE MEAL:
Tartelettes d'artichauts et tomates (Artichoke & Tomato Tartlets)
Chaud Salade de Lentilles Vertes Françaises (Warm French Green Lentil Salad)
Poulet Roti avec pommes de terre (French Style Roast Chicken with Potatoes)
Endives au Gratin façon Café des Deux Moulins
Maple-Pumpkin Crème Brûlée


Okay, so if you've been following this blog at all, you'll know I recently spent 10 days in Paris. (Here are a couple of pictures I took of locations from Amélie.)

I had a great time, meeting with writer Claire Dixsaut who has written several food/movie cookbooks, including one on James Bond and food. So we went to see Skyfall together - she also took me out for some fabulous food and drinks. I also met up with a friend's cousin, the darling French-Moroccan documentary filmmaker Izza Génini, who recently had a retrospective of her films in Tel Aviv.

In addition to eating some wonderful food, hearing some real Manouche music, seeing art, I just enjoyed walking everywhere and meeting some wonderful folks who have become good friends.

So this is part one of a Paris, France film double bill; the next will be first be posted over at the Criterion website.

I have to say tonight's class was awesome. Great crowd. Everyone raved about the dessert, which is the featured recipe below. As always, I couldn't do it without the great staff at Central Market.

As you can see in the box above, the next class will be February 23rd, and I'll be covering the Oscar-winning film Once with a four-course Irish/Czech menu. Tickets will go on sale in a couple of weeks, please check back. Hope you can make it.

Tuesday, November 6, 2012

A little taste of Amélie.....

For those of you coming to my next class (which I hope means ALL of you...), I just went all the way to Paris to do some research.

Here's a photo of the corner market in Montemarte where Amélie shops....


And of course, here's where Amélie worked.


See you December 1st, I hope! Tickets and class info available HERE.

Tuesday, October 30, 2012

TV Bites: Bride of Frankenstein

THE SNACK:
Elsa Lanchester's Deviled Pork Chops


Happy Halloween from Paris!! And it's part two of the Frankenstein double bill!!

You could say I'm on vacation, but you could also say I'm doing deep research for my December class (see above). I went to the cafe where Amelie worked and the little fruit/vegetable stand down the block from "her" house. Oh yeah, I'm eating a lot, and tomorrow taking a class on making croissants.

But let's get to it.... My favorite quote I discovered while researching this post is from Carl Laemmle Jr., studio production chief of Universal Pictures at the time. Announcing their new line up of horror films in 1933, he said they would have "a decidedly novel and shocking appeal.... We have found that the theater-going public like the unreal, the weird, and the uncanny, and we are preparing to cater to this great audience with colorful, imaginative stories." I like that. Go Junior! Where's a studio head like that today?